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  <url>
    <loc>https://www.ruyamaps.org/about-ruya-maps</loc>
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    <lastmod>2020-05-02</lastmod>
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      <image:title>About Us</image:title>
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      <image:title>About Us</image:title>
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  <url>
    <loc>https://www.ruyamaps.org/heartbreak-gallery</loc>
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    <priority>0.75</priority>
    <lastmod>2019-07-02</lastmod>
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      <image:title>Heartbreak Gallery</image:title>
      <image:caption>Füsun Onur, Musical Chair, (1976).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1562080315929-HDJB5KTRH5YX2U04SY1Q/Heartbreak_Venice_2019_043a%5B1%5D.jpg</image:loc>
      <image:title>Heartbreak Gallery</image:title>
      <image:caption>Füsun Onur, Musical Chair, (1976).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1562062407394-K7GXL3JKC1H8PQZHONCI/Heartbreak_Venice_2019_064%5B1%5D.jpg</image:loc>
      <image:title>Heartbreak Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1562062563047-D3IZW4Q84SA9JIQTS95I/Heartbreak_Venice_2019_016%5B1%5D.jpg</image:loc>
      <image:title>Heartbreak Gallery</image:title>
      <image:caption>Lana Čmajčanin, 1: 1 625 000 (2019).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1562062974315-D85BE6URRYZ2O8X18SR8/Copy+of+Tadmur+Prison+blue+print+side+A+website.jpg</image:loc>
      <image:title>Heartbreak Gallery</image:title>
      <image:caption>Majd Abdel Hamid, Tadmur, (2019).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1553692162265-RDRZ66ZZGZM0AROD5RZ4/2.Soulou_studio_2019_8.jpg</image:loc>
      <image:title>Heartbreak Gallery - Christiana Soulou, Child Playing Roman Soldier, (2019)</image:title>
      <image:caption>Christiana Soulou, Child Playing Roman Soldier, (2019) coloured pencil on paper, 53 x 38 cm, courtesy of the artist and Ruya Maps</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1562062789945-7V64IUKV9ZXWNC7FP13I/Maryam+Hoseini_Secrets+Between+Her+and+Her+Shadow_2019_61x46x3.8_01.jpg</image:loc>
      <image:title>Heartbreak Gallery</image:title>
      <image:caption>Maryam Hoseini, Secrets Between Her and Her Shadow 1, (2019), image courtesy of the artist, Green Art Gallery Dubai, and RUYA MAPS.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1553692685367-0SG76OOCOQYTKSISIR9D/10.+Randa+Maddah_STILL_IN+View_M2570017.JPG</image:loc>
      <image:title>Heartbreak Gallery</image:title>
      <image:caption>Randa Maddah, still from In View, (2017) video. Courtesy of the artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1562062925348-9I3OCJJEI9O6LSU0MG4J/Talar_Aghbashian_Ancient_as_the_Hills_2019_100x80%5B1%5D.jpg</image:loc>
      <image:title>Heartbreak Gallery</image:title>
      <image:caption>Talar Aghbashian, Ancient as the Hills, (2019), image courtesy of the artist and RUYA MAPS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1553692286753-H47L89XKEZ1Q3JHCOVSH/3.+The+landscape+is+not+a+bookmark+Farah.jpg</image:loc>
      <image:title>Heartbreak Gallery</image:title>
      <image:caption>Farah Khelil, The landscape is not a bookmark, (2019), wooden bedside table, glass, video on digital frame, photographs and documents. Photo: Rebecca Fanuele. Courtesy of the artist and Ruya Maps.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1562062805305-LL06H019UE3LMJE87HT2/IMG_3920.jpg</image:loc>
      <image:title>Heartbreak Gallery</image:title>
      <image:caption>Christiana Soulou, Iris, Setting Fire, Book IV, (2019).</image:caption>
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  <url>
    <loc>https://www.ruyamaps.org/gallery</loc>
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    <priority>0.75</priority>
    <lastmod>2019-03-27</lastmod>
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      <image:title>Gallery</image:title>
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      <image:title>Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1553104024056-ULBI1CEYEUCKID0469M7/Crisalida+4.jpg</image:loc>
      <image:title>Gallery</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1553104241526-RFNSLXDBHBCNYCWYLXWX/Crisalida+c.jpg</image:loc>
      <image:title>Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1553104137854-TO8SOMEGGBP3Y8OJTT9Z/Crisalida+b.jpg</image:loc>
      <image:title>Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1553686441404-3NRK6NF7CV1TI2IBFPZX/Crisalida+9.jpg</image:loc>
      <image:title>Gallery</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1553686456093-2EZU3MHZCHECLE8ODJ1T/Crisalida+7.jpg</image:loc>
      <image:title>Gallery</image:title>
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  <url>
    <loc>https://www.ruyamaps.org/journal-features</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-25</lastmod>
  </url>
  <url>
    <loc>https://www.ruyamaps.org/journal-features/thetreesofvenezuela</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1563550868925-WWFHD6950ST68U1KLFLJ/90c3fdd7-34db-474e-89cb-9524b3ab9289.jpeg</image:loc>
      <image:title>Journal Features - Pepe López Documents the Beauty of the Trees in Caracas, Venezuela - Licuala Grandis</image:title>
      <image:caption>Licuala Grandis, or the Ruffled Fan Palm Venezuela is ranked the ninth country in the world for biodiversity, yet it is also in the top ten for deforestation. This contrast is evident in the areas surrounding the Orinoco river. The river flows for some 1.700 miles in a giant arc that has become the site of a major mining project. The outcome of which has included the mass destruction of Venezuela’s trees.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1563554613231-TXNXIKYEEPKM1U1E47EH/d3085bb3-8a6d-4a66-b960-10479f51c581.jpeg</image:loc>
      <image:title>Journal Features - Pepe López Documents the Beauty of the Trees in Caracas, Venezuela - Corypha Elata</image:title>
      <image:caption>Corypha Elata, a type of palm tree which only blooms towards the end of its life, but when it does produces nearly a million flowers. Trees along the Orinoco region have increasingly been affected by mining since 2011, but urban trees are being threatened too. In Caracas’ botanic gardens over a third of the palm tree species have died in the last few years as precious water is diverted to hospitals. The gardens are one of only four to have UNESCO status.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1563551143311-IDVIJ221ZV3X6YJK63KQ/temp.jpeg</image:loc>
      <image:title>Journal Features - Pepe López Documents the Beauty of the Trees in Caracas, Venezuela - Rhizophora Mangle</image:title>
      <image:caption>The roots of the Rhizophora Mangle, or the Red Mangrove. The Orinoco supports hundreds of tree species, one of which is the Red Mangrove. They host many endangered and vulnerable species in their system of stilt roots, and protect the shoreline during tropical storms. Venezuelan mangroves are specifically protected through a Presidential Decree, but this does not offer complete protection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1563554476916-HAMCPTO6AOX984QQFI3Z/temp+%283%29.jpeg</image:loc>
      <image:title>Journal Features - Pepe López Documents the Beauty of the Trees in Caracas, Venezuela - Jacaranda Mimosifolia</image:title>
      <image:caption>Jacaranda Mimosifolia, a deciduous tree classed as ‘vulnerable’ and known for its explosion of light blue flowers. Venezuela generates most of its electricity from hydro-electric dams, with about 60% being produced by four dams along a tributary of the Orinoco. Not only does mining require huge quantities of water to be re-channeled, the loss of trees along the Orinoco arc has led to drought. A lack of ground results in soil erosion and desertification. Venezuelans have had to deal with chronic power outages.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1563551563127-W0WA0EENWP0IWRPRSL0L/temp+%281%29.jpeg</image:loc>
      <image:title>Journal Features - Pepe López Documents the Beauty of the Trees in Caracas, Venezuela - Coccoloba Uvifera</image:title>
      <image:caption>Coccoloba Uvifera, or Sea Grape, it is one of the emblematic trees of Venezuela. Venezuela possesses some of the largest untapped natural resources reserves in the world. In 2011, President Chavez proposed the creation of a mega project, the ‘Orinoco Mining Arc’, to extract minerals from a belt spanning 12% of Venezuela’s territory. According to a report by RAISG, the main driver of the region’s deforestation is mining. Venezuela is the only country where Amazon rainforest deforestation rates increased in 2011-2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1563551806468-WS4UE2V7QZXPP9PBFKWY/temp+%282%29.jpeg</image:loc>
      <image:title>Journal Features - Pepe López Documents the Beauty of the Trees in Caracas, Venezuela - Delonix Regia</image:title>
      <image:caption>Picture shows Delonix Regia, classified as ‘vulnerable’ on the Red List of Threatened species; it is a multi-purpose tree harvested in the wild to be used for medicine. It is also cultivated to stabilise and enrich the soil. Deforestation to make way for mining has affected indigneous peoples as well as local flora. Living conditions have been worsened by severe malaria and measles epidemics around the mining sites. Tree cover gives way to mining pits which become full of stagnant water; these pools are then a breeding ground for mosquitoes. There is little in the way of subsidised medicine.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ruyamaps.org/journal-features/randamaddahprofile</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1554212987829-5NZFNYRR3G6S7STMDQ74/Copy+of+IMG_5561.jpg</image:loc>
      <image:title>Journal Features - Artist Profile: Randa Maddah</image:title>
      <image:caption>Randa Maddah, still from ‘Restoration’, (2018), video.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1554209494649-MU8F7Y7BOUWHMJ37L3HJ/10.+Randa+Maddah_STILL_IN+View_M2570017.JPG</image:loc>
      <image:title>Journal Features - Artist Profile: Randa Maddah</image:title>
      <image:caption>Randa Maddah, still from 'In View', (2017) video, courtesy of the artist.⠀</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1554209323228-ZN0PHWELPJV0WEGY12HO/10.+Randa+Maddah_STILL_IN+View_M2570017.JPG</image:loc>
      <image:title>Journal Features - Artist Profile: Randa Maddah</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1554212898775-B6E7ESD98QARJBKA9S6G/2.jpg</image:loc>
      <image:title>Journal Features - Artist Profile: Randa Maddah</image:title>
      <image:caption>Photograph by Atef Safadi, ‘Shouting hill, the way of communication with relative on the Syrian side of the ceasefire line Majdal Shams’ (1996),</image:caption>
    </image:image>
    <image:image>
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      <image:title>Journal Features - Artist Profile: Randa Maddah</image:title>
      <image:caption>Randa Maddah, still from ‘Light Horizon’ (2012), video.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.ruyamaps.org/journal-features/imadissa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1562341735337-7AOOWO33QMC04NY8IVXH/Clay+Heads.jpg</image:loc>
      <image:title>Journal Features - Artist Profile:  Imad Issa</image:title>
      <image:caption>Imad Issa, Untitled, (1995).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1562341641205-GBJC3D7J9KKQPKESN355/Imad+Issa+Portrait.jpg</image:loc>
      <image:title>Journal Features - Artist Profile:  Imad Issa</image:title>
      <image:caption>Portrait of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1554209323228-ZN0PHWELPJV0WEGY12HO/10.+Randa+Maddah_STILL_IN+View_M2570017.JPG</image:loc>
      <image:title>Journal Features - Artist Profile:  Imad Issa</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1562341870032-JDQCZZQO0VIAWDR5ME3F/Heartbreak+War+Room.jpg</image:loc>
      <image:title>Journal Features - Artist Profile:  Imad Issa</image:title>
      <image:caption>Image of the artist’s works on show in the Heartbreak exhibition. (L) Still from ‘Reappreciation’, (R) Untitled (1995).</image:caption>
    </image:image>
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  <url>
    <loc>https://www.ruyamaps.org/journal-features/christianasoulou</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1554209323228-ZN0PHWELPJV0WEGY12HO/10.+Randa+Maddah_STILL_IN+View_M2570017.JPG</image:loc>
      <image:title>Journal Features - Artist Profile:  Christiana Soulou</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1561731813310-HSOJJUWDQAC9S3T0OS7M/Allegory+of+Luxuria%2C+Pisanello.jpg</image:loc>
      <image:title>Journal Features - Artist Profile:  Christiana Soulou</image:title>
      <image:caption>Pisanello, Allegory of Luxuria, c.1426. Image credit: Google Cultural Institute.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1561731725537-OU2ATV1P1IFHO6A0U2LQ/IMG_3920.jpg</image:loc>
      <image:title>Journal Features - Artist Profile:  Christiana Soulou</image:title>
      <image:caption>Christiana Soulou, Iris, LIvre V, Setting Fire, (2019)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1561731702464-LSFCY9EAUCXXXKH5BNY5/Soulou_studio_2019_032.jpg</image:loc>
      <image:title>Journal Features - Artist Profile:  Christiana Soulou</image:title>
      <image:caption>Image from the artist’s studio.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.ruyamaps.org/journal-features/farahkhelil</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1560526030773-9NWQBNEQ4RHJQQ41T2NF/3.+The+landscape+is+not+a+bookmark+Farah.jpg</image:loc>
      <image:title>Journal Features - Artist Profile:  Farah Khelil</image:title>
      <image:caption>Farah Khelil, The landscape is not a bookmark, (2019), image courtesy of Rebecca Fanuele.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1554209323228-ZN0PHWELPJV0WEGY12HO/10.+Randa+Maddah_STILL_IN+View_M2570017.JPG</image:loc>
      <image:title>Journal Features - Artist Profile:  Farah Khelil</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1560526666659-VHOWA17MRS6YQVX17JT5/IMG_9193.JPG</image:loc>
      <image:title>Journal Features - Artist Profile:  Farah Khelil</image:title>
      <image:caption>Postcards from the artist’s studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1560526873517-PDG16EDBLQMGLZLOY1Q3/Copy+of+spheres2019.jpg</image:loc>
      <image:title>Journal Features - Artist Profile:  Farah Khelil</image:title>
      <image:caption>Farah Khelil, Sphères (2019), image courtesy of Farah Khelil.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ruyamaps.org/journal-features/fusunonur</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1559918291423-L6F8K5IM3RUQI9FGCX8M/Arctic_2_11_4835.jpg</image:loc>
      <image:title>Journal Features - Artist Profile:  Füsun Onur</image:title>
      <image:caption>Füsun Onur, Musical Chair, (1976), image courtesy of Hadiye Cangokce.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1559918515865-0KDC2AHZ14GYY65M3NHL/IMG_9193.JPG</image:loc>
      <image:title>Journal Features - Artist Profile:  Füsun Onur</image:title>
      <image:caption>Füsun Onur’s home, Image courtesy of Ali Kamza.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1559918992544-QXGEYWS4P2WZXBHAWKVY/Arctic_2_08_fo_4821+%281%29.jpg</image:loc>
      <image:title>Journal Features - Artist Profile:  Füsun Onur</image:title>
      <image:caption>Füsun Onur, ‘The Dollhouse’ (1970s), interior shot, image courtesy of Ilhan Onur.</image:caption>
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    <image:image>
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      <image:title>Journal Features - Artist Profile:  Füsun Onur</image:title>
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  <url>
    <loc>https://www.ruyamaps.org/journal-features/maryamhoseini</loc>
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    <lastmod>2020-03-11</lastmod>
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      <image:title>Journal Features - Artist Profile: Maryam Hoseini</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1558634562487-YUS2M26CL64TVYOUHB9Q/_Heartbreak_Catalogue_1104%2BFINAL-081.jpg</image:loc>
      <image:title>Journal Features - Artist Profile: Maryam Hoseini</image:title>
      <image:caption>(L) Layla and Majnun Faint on Meeting, Miniature, gouache, Iran, 1431, Timurid Dyansty, The State Hermitage Museum, St Petersburg. Photograph: The State Hermitage Museum. (R) Majnun Brought to Layla’s Tent by the Old Woman, Miniature, gouache, Iran, 1431, Timurid Dyansty, The State Hermitage Museum, St Petersburg. Photograph: The State Hermitage Museum.</image:caption>
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      <image:title>Journal Features - Artist Profile: Maryam Hoseini</image:title>
      <image:caption>Maryam Hoseini, Secrets Between Her and Her Shadow 6, (2019), image courtesy of the artist, Green Art Gallery Dubai, and RUYA MAPS</image:caption>
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      <image:title>Journal Features - Artist Profile: Maryam Hoseini</image:title>
      <image:caption>Maryam Hoseini, Secrets Between Her and Her Shadow 1, (2019), image courtesy of the artist, Green Art Gallery Dubai, and RUYA MAPS</image:caption>
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  <url>
    <loc>https://www.ruyamaps.org/journal-features/talaraghbashian</loc>
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    <lastmod>2020-03-11</lastmod>
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      <image:title>Journal Features - Artist Profile: Talar Aghbashian</image:title>
      <image:caption>Talar Aghbashian, Ancient as the Hills, (2019), image courtesy of the artist and RUYA MAPS</image:caption>
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    <image:image>
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      <image:title>Journal Features - Artist Profile: Talar Aghbashian</image:title>
      <image:caption>Image source for Ancient as the Hills, Human-headed winged Sphinx panel, Phoenician, Fort Shalmaneser, 900-700BC. Image credit: British Museum Images.</image:caption>
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    <image:image>
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      <image:title>Journal Features - Artist Profile: Talar Aghbashian</image:title>
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  <url>
    <loc>https://www.ruyamaps.org/journal-features/lanacmajcanin</loc>
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    <lastmod>2020-03-11</lastmod>
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      <image:title>Journal Features - Artist Profile: Lana Čmajčanin</image:title>
      <image:caption>Lana Čmajčanin, Scrapbook (2019)⠀</image:caption>
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    <image:image>
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      <image:title>Journal Features - Artist Profile: Lana Čmajčanin</image:title>
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    <image:image>
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      <image:title>Journal Features - Artist Profile: Lana Čmajčanin</image:title>
      <image:caption>Lana Čmajčanin, Scrapbook (2019)</image:caption>
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    <image:image>
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      <image:title>Journal Features - Artist Profile: Lana Čmajčanin</image:title>
      <image:caption>Lana Čmajčanin, Scrapbook (2019)</image:caption>
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  <url>
    <loc>https://www.ruyamaps.org/journal-features/majdabdelhamid</loc>
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    <lastmod>2020-03-11</lastmod>
    <image:image>
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      <image:title>Journal Features - Artist Profile: Majd Abdel Hamid</image:title>
      <image:caption>Majd Abdel Hamid, still from ‘Wait for Her.’.</image:caption>
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      <image:title>Journal Features - Artist Profile: Majd Abdel Hamid</image:title>
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    <image:image>
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      <image:title>Journal Features - Artist Profile: Majd Abdel Hamid</image:title>
      <image:caption>Majd Abdel Hamid (2019), Tadmur Prison blue print with text from ‘The Shell’ by Mustafa Khalifa.</image:caption>
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      <image:title>Journal Features - Artist Profile: Majd Abdel Hamid</image:title>
      <image:caption>Majd Abdel Hamid, (2019)⠀</image:caption>
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  <url>
    <loc>https://www.ruyamaps.org/journal-features/questionandanswerchain-cmajcanin</loc>
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    <lastmod>2019-05-07</lastmod>
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      <image:title>Journal Features - Heartbreak Q&amp;amp;A Chain - Lana Čmajčanin</image:title>
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  <url>
    <loc>https://www.ruyamaps.org/journal-features/questionandanswerchain-maddah</loc>
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    <lastmod>2019-05-21</lastmod>
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      <image:title>Journal Features - Heartbreak Q&amp;amp;A Chain - Randa Maddah</image:title>
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  <url>
    <loc>https://www.ruyamaps.org/journal-features/questionandanswerchain-abdelhamid</loc>
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    <lastmod>2019-05-06</lastmod>
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      <image:title>Journal Features - Heartbreak Q&amp;amp;A Chain - Majd Abdel Hamid</image:title>
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  </url>
  <url>
    <loc>https://www.ruyamaps.org/journal-features/questionandanswerchain-khelil</loc>
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    <lastmod>2019-05-06</lastmod>
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      <image:title>Journal Features - Heartbreak Q&amp;amp;A Chain - Farah Khelil</image:title>
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  <url>
    <loc>https://www.ruyamaps.org/journal-features/questionandanswerchain-hoseini-aws8t</loc>
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    <lastmod>2019-05-04</lastmod>
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      <image:title>Journal Features - Heartbreak Q&amp;amp;A Chain - Christiana Soulou</image:title>
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  <url>
    <loc>https://www.ruyamaps.org/journal-features/questionandanswerchain-hoseini</loc>
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    <lastmod>2019-05-03</lastmod>
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      <image:title>Journal Features - Heartbreak Q&amp;amp;A Chain - Maryam Hoseini</image:title>
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  <url>
    <loc>https://www.ruyamaps.org/journal-features/questionandanswerchain-aghbashian</loc>
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    <lastmod>2019-05-03</lastmod>
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      <image:title>Journal Features - Heartbreak Q&amp;amp;A Chain - Talar Aghbashian</image:title>
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  <url>
    <loc>https://www.ruyamaps.org/journal-features/questionandanswerchain-onur</loc>
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    <lastmod>2019-05-03</lastmod>
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      <image:title>Journal Features - Heartbreak Q&amp;amp;A Chain - Füsun Onur</image:title>
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  <url>
    <loc>https://www.ruyamaps.org/journal-features/questionandanswerchain</loc>
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      <image:title>Journal Features - Heartbreak Q&amp;amp;A Chain - Imad Issa</image:title>
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  </url>
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      <image:caption>Yinka Shonibare CBE, Refugee Astronaut II, (2016), Fibreglass mannequin, Dutch wax printed cotton textile, net, possessions, astronaut helmet, moon boots and steel baseplate. 186 x 87 x 103 cm. Photo by Stephen White.</image:caption>
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      <image:caption>Title: HEARTBREAK Format: Softback, Pages: 222, Illustrations: 154 images, Dimensions: 160 x 245 mm Printed in Italy by Conti Tipocolor S.p.A., Calenzano (Florence) April 2019. ISBN: 9781645706731.</image:caption>
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      <image:title>Features</image:title>
      <image:caption>Title: Pepe López: Crisálida Format: Softback, Pages: 64, Illustrations: Full-color photography (150 images), Dimensions: 21 x 27 cm Publication Date: September 2018. ISBN: 978-1-64440-969-5.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1586447000548-SCIKUO7LCAUUP9CIMM1B/The%2BCrossing%2BPoint.jpg</image:loc>
      <image:title>Features - #1 Climate Refugees</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1586447115590-OL9GA9XSC82GXII7U856/Screenshot%252B2020-03-25%252B15.57.16.jpg</image:loc>
      <image:title>Features - #3 Homefront</image:title>
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      <image:title>Features - #2 Protest Art</image:title>
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  <url>
    <loc>https://www.ruyamaps.org/2protest-art</loc>
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    <priority>0.75</priority>
    <lastmod>2020-04-08</lastmod>
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  <url>
    <loc>https://www.ruyamaps.org/2protest-art/international-womens-day-lala-rukh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-12</lastmod>
    <image:image>
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      <image:title>#2 Protest Art - Celebrating Artist, Activist and Teacher Lala Rukh on International Women's Day</image:title>
      <image:caption>Lala Rukh’s work on display at Documenta 14, Kassel, Germany. Image credit: Grey Noise Gallery, Dubai.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1583521092532-JR0FGK4OS99NTZ0T66J1/Lala+Rukh+protesting.jpg</image:loc>
      <image:title>#2 Protest Art - Celebrating Artist, Activist and Teacher Lala Rukh on International Women's Day</image:title>
      <image:caption>Photograph of a WAF protest in 1987 in response to the killing of two women in Karachi, Lala Rukh (far left) burns a chador when police prevented the demonstrators from marching any further. Photo by Azhar Jaffery.</image:caption>
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      <image:title>#2 Protest Art - Celebrating Artist, Activist and Teacher Lala Rukh on International Women's Day</image:title>
      <image:caption>A selection of Rukh’s posters and pamphlets for Women’s Action Forum, Pakistan (1980s) on display in the exhibition ‘Still I Rise: Feminisms, Gender, Resistance.’ Image courtesy of De La Warr Pavilion, UK.</image:caption>
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      <image:title>#2 Protest Art - Celebrating Artist, Activist and Teacher Lala Rukh on International Women's Day</image:title>
      <image:caption>Lala Rukh, ‘Women’s Action Forum Calendar’, offset print, (1985), Image credit: Documenta 14.</image:caption>
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      <image:title>#2 Protest Art - Celebrating Artist, Activist and Teacher Lala Rukh on International Women's Day</image:title>
      <image:caption>Lala Rukh, Hieroglyphics V: Qat-jhaptaal (2008), silver paint on carbon paper, 20.3 × 50.8 cm, Image credit: Documenta 14.</image:caption>
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      <image:title>#2 Protest Art - Celebrating Artist, Activist and Teacher Lala Rukh on International Women's Day</image:title>
      <image:caption>‘Rupak’, Animation, 6 minutes, 12 seconds, (2016), Image from the Metropolitan Museum of Art collection.</image:caption>
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      <image:title>#2 Protest Art - Celebrating Artist, Activist and Teacher Lala Rukh on International Women's Day</image:title>
      <image:caption>12th February 1983, protesters clash with police on Mall Road, Lahore Pakistan.</image:caption>
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    <lastmod>2020-03-11</lastmod>
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      <image:title>#2 Protest Art - Protest Art Around the World #4</image:title>
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      <image:title>#2 Protest Art - Protest Art Around the World #4</image:title>
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      <image:title>#2 Protest Art - Protest Art Around the World #4</image:title>
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    <lastmod>2020-03-11</lastmod>
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      <image:title>#2 Protest Art - Protest Art Around the World #3</image:title>
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    <loc>https://www.ruyamaps.org/2protest-art/2020/2/13/protest-art-around-the-world-hongkong</loc>
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    <lastmod>2020-03-11</lastmod>
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      <image:title>#2 Protest Art - Protest Art Around the World #2</image:title>
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      <image:title>#2 Protest Art - Protest Art Around the World #2</image:title>
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      <image:title>#2 Protest Art - Protest Art Around the World #2</image:title>
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      <image:title>#2 Protest Art - Protest Art Around the World #2</image:title>
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      <image:title>#2 Protest Art - Protest Art Around the World #2</image:title>
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      <image:title>#2 Protest Art - Protest Art Around the World #2</image:title>
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      <image:title>#2 Protest Art - Protest Art Around the World #2</image:title>
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      <image:title>#2 Protest Art - Protest Art Around the World #2</image:title>
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  <url>
    <loc>https://www.ruyamaps.org/2protest-art/2020/2/13/protest-art-around-the-world-lebanon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-11</lastmod>
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      <image:title>#2 Protest Art - Protest Art Around the World</image:title>
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      <image:title>#2 Protest Art - Protest Art Around the World</image:title>
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      <image:title>#2 Protest Art - Protest Art Around the World</image:title>
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      <image:title>#2 Protest Art - Protest Art Around the World</image:title>
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      <image:title>#2 Protest Art - Protest Art Around the World</image:title>
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      <image:title>#2 Protest Art - Protest Art Around the World</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1582220764235-B3RV4M57NFAU6ZXSXWMP/temp.jpg</image:loc>
      <image:title>#2 Protest Art - Protest Art Around the World - @miradiab_ Title: Homeland</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1582220076859-1D854ICLWUE9IUZ3R03E/temp+%281%29.jpeg</image:loc>
      <image:title>#2 Protest Art - Protest Art Around the World - @kibok.art</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1582220112888-IVXLHKRF3EQNSB67K1VS/temp+%2811%29.jpeg</image:loc>
      <image:title>#2 Protest Art - Protest Art Around the World - @nouriflayhan</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1582220126088-AKTPQA6GMTEZ5QC7H35W/temp+%282%29.jpeg</image:loc>
      <image:title>#2 Protest Art - Protest Art Around the World - @marwanders Image showing the original statue and recent graffiti art.</image:title>
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  <url>
    <loc>https://www.ruyamaps.org/2protest-art/2019/11/8/upagainstthewall</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1573229409834-LHP2ZZ254KRZI6979U4M/Danny+Davenny+murL.jpg</image:loc>
      <image:title>#2 Protest Art - Up Against the Wall: A Brief History of Protest Art - Belfast Peace Lines</image:title>
      <image:caption>In the 2010s there were still 99 barriers across Belfast which prevented freedom of movement across the city. Although starting with The Troubles, a third of these walls had been erected since the Good Friday Agreement. Irish Republicans began painting the walls of houses in predominantly working class areas in the late 1970s. Artists such as Danny D and Marty Lyons produced murals to unify the Republican cause with images representing armed IRA Volunteers and historic events like the Hunger Strike. The Unionists responded with murals that demarcated territory and signaled loyalty to the UK. The painted walls are now a major feature of the city, with the longest of the peace lines, Cupar Way, its own attraction. They are also now a symbol of peace, rather than division, with artists from different sides such as Danny D and Mark Irvine (son of the Progressive Unionist Party leader David Irvin) now collaboratively producing murals. Image: Danny Davenny, Bobby Sands mural on the side wall of Sinn Féin's Falls Road office.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1573228113427-FE3NZC616FZENUHPCYLT/Banksy%2C+The+ArtStory.jpg</image:loc>
      <image:title>#2 Protest Art - Up Against the Wall: A Brief History of Protest Art - Israeli West Bank Barrier</image:title>
      <image:caption>Around 85% of the wall, declared illegal by the International Court of Justice a decade ago, sits within Palestinian territory. It is a site of protest for Palestinians separated from their families and lands, but has become known for its use as a canvas by international artists, despite the many Palestinian murals on the surface. Banksy has worked on and off at the site since 2003. Standing five metres from the barrier, his ‘Walled Off Hotel’ (2017- present) work is perhaps the most famous. It claims to be the hotel “with the worst view in the world” and has been inundated with visitors. Palestinian artists have responded to the commodification of the wall as a tourist destination, and accused Banksy of ‘conflict fetishisation.’ Banksy’s satirical ‘street party’ to celebrate the anniversary of the Balfour Declaration was crashed by local artists. The street artist Issa has even defaced his own graffiti, adding “Welcome to the shopping mall" to his pieces in light of tourist souvenirs of the wall. Whilst painting the mural ‘Unwelcome Intervention’ a Palestinian man reportedly told Banksy ‘"You paint the wall, you make it look beautiful," to which Banksy replied, "Thanks." The Palestinian man then said, "We don't want it to be beautiful, we hate this wall, go home." Image: Banksy’s ‘Unwelcome Intervention’ (2005)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1573736307407-V8RQJ7E03EX2IJOG8KYO/temp.jpeg</image:loc>
      <image:title>#2 Protest Art - Up Against the Wall: A Brief History of Protest Art - Lebanon’s October Protest</image:title>
      <image:caption>Amidst a zeitgeist of popular uprisings that have erupted in Iraq, Chile, Ecuador, Venezuela, and Hong Kong, Lebanon’s has stood out in particular for the artistic uprising it has catalysed. Twenty leading arts organisations in Lebanon have issued a statement of solidarity with the protestors, and artists have co-ordinated their own responses - such as Gregory Buchakjian who along with others quickly established ‘Atelier insurrectionnels’ (Insurgency Workshops) to respond to the events on the streets. Protest art has made its mark on the walls of Beirut, but it has also marked a move to social media walls. Curated by Paola Mounla, ‘Art of Thawra’ is an Instagram page that started a few days after the Lebanese took to the streets. It “is not a mere feed of artworks; it has become the home of Lebanese creatives who wish to paint a different picture for Lebanon.” To date ‘Art of Thawra’ has shared over a 1,000 works of art, reaching 11,000 followers. Spontaneous, accessible and occupying public space, this collection of images shares the qualities of other walls that have been co-opted for protest art throughout history. Crucially, however, it leaves behind the wall’s site-specific context to be truly global.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1573232179089-30LB74L5PL3C57HNYURZ/Never+Work.jpg</image:loc>
      <image:title>#2 Protest Art - Up Against the Wall: A Brief History of Protest Art - Paris, May 1968</image:title>
      <image:caption>The walls of Paris were daubed with slogans over the course of the summer in 1968: “TAKE YOUR DESIRES FOR REALITY,” “NEVER WORK,” “BOREDOM IS COUNTER-REVOLUTIONARY,” “IF YOU RUN INTO A COP, SMASH HIS FACE IN.” May ‘68 was one of the most important strikes, bringing together students and workers in a rejection of the new model of consumerist living. Barricades were erected in the streets of Paris for the first time since the Paris Comune. The members of the Situationist International (SI) made their own defensive walls, covering the Latin Quarter with their graffiti. Although aphoristic to contemporary audiences, their ideology was revolutionary. These political slogans were transformed into art, preserved in the documentary photography and La Nouvelle Vague films of the time. Image: ‘Never work’: graffiti on the walls of Nanterre University, March 1968.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1573234356228-LQUGBYFMB96SOCPJEV0T/Erasing+the+Border.jpg</image:loc>
      <image:title>#2 Protest Art - Up Against the Wall: A Brief History of Protest Art - US-Mexico Border</image:title>
      <image:caption>From an initial 14 mile long stretch approved by President Bush in 1990, the US-Mexico border ‘wall’ has grown to 1,954 miles of discontinuous barriers both physical (fences) and virtual (surveillance equipment). President Trump’s controversial expansion of the wall disadvantages migrants, indigenous peoples and local flora and fauna. Recent attention has focused on Trump’s deployment of military personnel to paint parts of the wall in the California town of Calexico, for the primary purpose of improving "the aesthetic appearance of the wall. Performance artist Ana Teresa Fernandez has repeatedly painted the Tijuana stretch of the border blue so that it blends into the surrounding sky. Her participatory ‘social sculpture’ uses volunteers from communities on both sides of the wall as they spend around six hours painting and ‘making the border disappear.’ Most recently, neon pink see-saws appeared at the border, or more specifically in the border. The result of a partnership between professors Ronald Rael and Virginia San Fratello and Colectivo Chopeke, these short lived installations brought children together through play. The wall became “a literal fulcrum” where either side’s inhabitants depended on one another. Image: Ana Teresa Fernandez, ‘Borrando la Frontera’, (2015). Credit: Nick Oza.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1573227696936-ZAKRJO15SLAKIE136B37/el+Seed%2C+Ted+talk.jpg</image:loc>
      <image:title>#2 Protest Art - Up Against the Wall: A Brief History of Protest Art - Arab Spring</image:title>
      <image:caption>Prior to the 2010s, you would have been hard pressed to find graffiti laden streets in the Arab world. Modern graffiti as we know it developed in New York City’s five boroughs in the 1970s, and soon urban metropolises all over were covered in the scene’s tags, bombs and throw-ups. Following the Arab Spring protests, graffiti quickly became one of the few means of spreading a public message. Of the many that picked up spray cans during this time, a number launched their careers as international artists. These included eL Seed, a French-Tunisian street artist whose style he calls ‘calligraffiti’, Egyptian street artist Aya Tarek and the Franco-Algerian artist Zoo Project. Image: eL Seed’s mural in Manshiyat Naser.</image:caption>
    </image:image>
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    <loc>https://www.ruyamaps.org/2protest-art/tag/Delhi</loc>
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    <loc>https://www.ruyamaps.org/2protest-art/tag/Shaheen+Bagh</loc>
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    <loc>https://www.ruyamaps.org/2protest-art/tag/National+Register</loc>
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  <url>
    <loc>https://www.ruyamaps.org/2protest-art/tag/sculpture</loc>
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    <loc>https://www.ruyamaps.org/2protest-art/tag/protest</loc>
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    <loc>https://www.ruyamaps.org/2protest-art/tag/International+Women%27s+Day</loc>
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  <url>
    <loc>https://www.ruyamaps.org/2protest-art/tag/embroidery</loc>
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  <url>
    <loc>https://www.ruyamaps.org/2protest-art/tag/Rupak</loc>
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    <loc>https://www.ruyamaps.org/2protest-art/tag/India</loc>
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  <url>
    <loc>https://www.ruyamaps.org/2protest-art/tag/Women%27s+Action+Forum</loc>
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  <url>
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    <loc>https://www.ruyamaps.org/2protest-art/tag/Lahore</loc>
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  </url>
  <url>
    <loc>https://www.ruyamaps.org/2protest-art/tag/Lennon+wall</loc>
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    <loc>https://www.ruyamaps.org/2protest-art/tag/arab+spring</loc>
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  <url>
    <loc>https://www.ruyamaps.org/2protest-art/tag/WAF</loc>
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  <url>
    <loc>https://www.ruyamaps.org/2protest-art/tag/Documenta+14</loc>
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  <url>
    <loc>https://www.ruyamaps.org/2protest-art/tag/protest+art</loc>
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  <url>
    <loc>https://www.ruyamaps.org/2protest-art/tag/women%27s+movement</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.ruyamaps.org/2protest-art/tag/Berlin+Wall</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.ruyamaps.org/3-homefront</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-07-15</lastmod>
  </url>
  <url>
    <loc>https://www.ruyamaps.org/3-homefront/sarah-larby</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1595248646602-ZU6JJL1QOHIEMDHPX55H/Bulge%2C+detail%2C+Sarah+Larby.png</image:loc>
      <image:title>#3 Homefront - Class of 2020: Sarah Larby</image:title>
      <image:caption>Sarah Larby, Detail of Bulge, 2019/20, Plaster, Silicone, Nylon, Gravity, Skirting Board, 105 x 15 x 10 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1595248736277-W9D75BL98LSISC2XYSX6/At+Rest%2C+Sarah+Larby.png</image:loc>
      <image:title>#3 Homefront - Class of 2020: Sarah Larby</image:title>
      <image:caption>Sarah Larby, At Rest, 2019 Plaster, Pigment, Found Object, Weight, Chain 35 x 25 x 10 cm (object)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1595248775346-UP5R629PZJ96AOXVMC1W/Untitled%2C+Sag%2C+Sarah+Larby.png</image:loc>
      <image:title>#3 Homefront - Class of 2020: Sarah Larby</image:title>
      <image:caption>Sarah Larby, Detail Shots of Untitled; Sag 2020, Plaster, String, Weight, Gravity</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1595247295016-LMB32ONXCDXIZQDUX8RI/Sarah+Larby.jpg</image:loc>
      <image:title>#3 Homefront - Class of 2020: Sarah Larby - Sarah Larby</image:title>
      <image:caption>Sarah Larby is a British sculptor who has just completed a Fine Art degree at the University of Leeds, with a year at the Academy of Fine Arts, Warsaw. Sarah’s practice is driven through working directly with materials, she often starts new works by speculatively exploring a material before pushing the boundaries of what it is traditionally used for. Her treatment of materials differs depending on whether or not she consider them to be animate or inanimate, but there are three questions that she always considers: What it means to follow the material? Does it mean working on the edge of having control? Does it mean accepting that form and content are the same thing?. You can read more about her work on her website.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1595247674308-JNIBNZ9XJFWLZR2YXYUY/Sarah+Larby.jpg</image:loc>
      <image:title>#3 Homefront - Class of 2020: Sarah Larby - Sarah’s Last Artwork Before Lockdown:</image:title>
      <image:caption>I was working on two pieces before lockdown started and we got shut out of the studios. The first wall based work was an exploration of how gravity and weight would affect the forms that I was making. Using a variety of industrial utility hooks, I wanted to explore their function as a method of artistic display. Then becoming transfixed with the mixture between the industrial red colour of the hooks, against the more neutral coloured organic forms. The second piece I was working on is the terracotta coloured speared forms you can see leaning against the wall. These shapes were made using fabric moulds and expanding foam, wrapping them around themselves to see how the shape evolved during the expanding curing process. I hadn’t yet finalised a method of display, but I had envisaged making multiple of them all interlinked in a freestanding metal structure.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ruyamaps.org/3-homefront/lidia-huerta</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1594809340999-D7W1VSV8DHY6YP1O9T62/01+Blossoming+of+An+Artist+_+Lidia+Huerta+.jpg</image:loc>
      <image:title>#3 Homefront - Class of 2020: Lidia Huerta</image:title>
      <image:caption>Lidia Huerta, Blossoming of an Artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1594809405067-ZJXW0IWY4DVZPP6WEGXD/il+silenzio+%C3%A8+buono04_Lidia+Huerta.jpg</image:loc>
      <image:title>#3 Homefront - Class of 2020: Lidia Huerta</image:title>
      <image:caption>Lidia Huerta, Il silenzio è buono</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1594809714022-BJK8GR09EVGZN8VUT9YH/The+Self+01+_Lidia+Huerta.jpg</image:loc>
      <image:title>#3 Homefront - Class of 2020: Lidia Huerta - Lidia’s Last Artwork Before Lockdown:</image:title>
      <image:caption>The Self One of the projects I started out during lockdown in relation to self-discovery. Portraying emotions of uncertainty through images (from my outside patio).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1594809238338-OVZVM6RSUCM6ZHR89H3V/The+Self+01+_Lidia+Huerta.jpg</image:loc>
      <image:title>#3 Homefront - Class of 2020: Lidia Huerta - Lidia Huerta</image:title>
      <image:caption>Lidia Huerta is a Catalan-Peruvian photographer currently based in London. She spent most of her childhood in a small town by the Pacific Ocean and then radically moved to New York with her family. Moving around never really stopped; nostalgia and rediscovery became permanent friends and can be seen in every photo she takes. Colour, light and feeling are an important part of her life and photographic process. You can follow her work here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1594809307436-KJY5KZTUPUYWWOLOASRC/Adulthood+02+Lidia+Huerta.jpg</image:loc>
      <image:title>#3 Homefront - Class of 2020: Lidia Huerta</image:title>
      <image:caption>Lidia Huerta, Adulthood</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ruyamaps.org/3-homefront/rhea-gupte</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1594806496162-YROHW6MVEBH70CN5QCL4/Rhea%2BGupte%2Bx%2BRuya%2BMaps.jpg</image:loc>
      <image:title>#3 Homefront - Class of 2020: Rhea Gupte - Rhea’s Last Artwork Before Lockdown:</image:title>
      <image:caption>Before entering lockdown I started work on my Compost series where I photograph still life portraits of my weekly wet waste. Due to the nature of the series, I have been able to continue with it and it has brought me a lot of learning and peace in its calm creative process. These are the works I had just about completed before the India wide lockdown was announced.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1594805352875-LL0JQJNLSNNQFM5PF075/Rhea%2BGupte%2Bx%2BRuya%2BMaps.jpg</image:loc>
      <image:title>#3 Homefront - Class of 2020: Rhea Gupte - Rhea Gupte</image:title>
      <image:caption>Rhea Gupte is a 29 year old visual artist, photographer, and writer. Born in Mumbai, India, Rhea’s practice is an amalgamation of her skillset in various disciplines which stems from the joy of practising the creative process. Across her different bodies of work, human emotion and exploring its vulnerabilities and strengths forms a common thread. Generating minimal waste and living mindfully are values which inform her ideas as well as her way of life. You can read more about her work on her website.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1594806202089-DZCP3GHKUS4Z0EZ5NNW2/Rhea-Gupte_Visual-Artist_Peaches4.jpg</image:loc>
      <image:title>#3 Homefront - Class of 2020: Rhea Gupte</image:title>
      <image:caption>Rhea Gupte, Peaches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1594805446637-CNV64JW4ORHZQ6OCYAFQ/Rhea-Gupte_Visual-Artist_CulturesinCurd2.jpg</image:loc>
      <image:title>#3 Homefront - Class of 2020: Rhea Gupte</image:title>
      <image:caption>Rhea Gupte, Cultures in Curd</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1594806365650-M00Z6Q7KRVSL9Z8DQ7ZP/Rhea-Gupte_Visual-Artist_Skinned7.jpg</image:loc>
      <image:title>#3 Homefront - Class of 2020: Rhea Gupte</image:title>
      <image:caption>Rhea Gupte, Skinned</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ruyamaps.org/3-homefront/classof2020</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1594057832941-LNNXLI0JKVKPBCDVU46N/siblings_kataeszter.jpg</image:loc>
      <image:title>#3 Homefront - Class of 2020: Hear from Emerging Artists Affected by Lockdown</image:title>
      <image:caption>Lili Gyarmati, Siblings, @lilies_are_poisonous</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1594057232202-DCFLM00PX65MGFVUMQVC/IMG_7305.jpg</image:loc>
      <image:title>#3 Homefront - Class of 2020: Hear from Emerging Artists Affected by Lockdown</image:title>
      <image:caption>Jennifer Louise Martin, Self-Portrait, @jenniferlouisemartin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1592840230838-YY7D5U8BMCIPVGJFPRV1/Dudi.JPG</image:loc>
      <image:title>#3 Homefront - Class of 2020: Hear from Emerging Artists Affected by Lockdown</image:title>
      <image:caption>Italian artist DUDI presenting his work, @dudi_arte</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ruyamaps.org/3-homefront/2020/4/9/thousand-and-one-nights-salam-atta-sabri</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1587989040096-I2IQ8QXX1U433VIPE1LW/image%252B%2525285%252529.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 1 /</image:title>
      <image:caption>The silence of the graves amid the siege of Corona Virus 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1587986716706-MLBGDEYHSN9FX7R82XJX/image%2B%25286%2529.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 2 /</image:title>
      <image:caption>Baghdadi shanasheel (traditional wooden latticed windows) on the day of the Corona Virus siege</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1587987788311-DMBOQ7XR88ZWVEY6HI54/image%2B%25287%2529.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 3 /</image:title>
      <image:caption>Everything is upside down. Our building during the siege of Virus Corona tells stories of a thousand and one nights,</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1587988248462-VL4SWI87FTGWJV35EO82/image%2B%25288%2529.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 4 /</image:title>
      <image:caption>Among the palm trees of Baghdad, we tell the story of Shahrazad</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1587988337906-WBM9Z2SLLZDJJ4XOTRU9/image%2B%25289%2529.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 5 /</image:title>
      <image:caption>Shahrazad and King Shahryar at the time of the siege of Virus Corona</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1587988407508-X8P2637WVKPTS2FRJ5PE/image%2B%252810%2529.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 6 /</image:title>
      <image:caption>Night bats amid the cemetery</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1587988549911-ATQ8YWJBEAHKQ99ZZOAF/image%2B%252811%2529.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 7 /</image:title>
      <image:caption>The void, in the middle of a thousand and one nights, the days of the siege of Virus Corona</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1587988673925-6IT3H8T95FUS1BGJJGK3/image%2B%252812%2529.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 8 /</image:title>
      <image:caption>Al-Tahoon (plague) in central Baghdad</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1587988737671-KBQMPJBCARX07QOQM3H3/image%2B%252813%2529.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 9 /</image:title>
      <image:caption>I try to escape from all people during the siege of Virus Corona. In this madness there is a glimmer of hope at the end of the tunnel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1587988787477-1C2FHPKN58ZJIHDBI1C1/image%2B%252814%2529.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 10 /</image:title>
      <image:caption>Between the walls of Baghdad, Shahrazad is confused as she tells stories, perhaps there is a new morning.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1588776091694-NMAXAM4Z517T6KDYMOUX/389567d5-ad86-4351-a5a5-b16ebc554f6d.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 11 /</image:title>
      <image:caption>Shahrazad is alone in Baghdad, she is trying to occupy Shahryar with her stories. Once upon a time in Baghdad, there was a large house in the middle of a palm grove.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1588776214384-YCIZS8606LA18RC3UEOZ/3463b7e7-e227-4e02-9a33-746b58a7d7ee.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 12 /</image:title>
      <image:caption>Shahryar is upset with  Sharazad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1588776484133-J8HRWFE6IAAPG05S86KM/a32af2f1-d4d8-426a-94ed-ca2c3fc4e9a4.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 13 /</image:title>
      <image:caption>Shahrazad tries to fill Shahryar with her stories, but he is stubborn and difficult to follow. The guards watch her in one of Baghdad's palaces.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1588776817152-8UEG3IMICZDYV9B5KSQ6/9d30f2cd-f6d9-476b-a4ad-babf5724066e.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 14 /</image:title>
      <image:caption>A cemetery in central Baghdad during the siege of Virus Corona where Shahrazad tells a story amongst the graves.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1589460164386-QKGYYW6KFKRLMQTHTC16/0960cc4c-157b-4481-af98-41def4502eb5.JPG</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 15 /</image:title>
      <image:caption>Shahrazad and Shahryar amid the siege of Virus Corona, Baghdad 2020.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1588776925137-E382YCTBNS60P4ERGR7W/66d5ad5c-16a8-4d97-ad5c-0da33a8a739b.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 16 /</image:title>
      <image:caption>Night in the middle of the cemetery, maybe there is a morning after these long nights.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1588777052568-4UI5ARUVLQ393YAKHX4W/f6943ab0-7819-44f7-8732-567122aa8047.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 17 /</image:title>
      <image:caption>One thousand and one nights in central Baghdad</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1588777688448-2LMGEZCYYU47KOQMYMK5/b0275529-f6da-4971-ac4b-7d6ceedee2a7.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 18 /</image:title>
      <image:caption>Shahrazad narrates to Shahryar one of her stories in the middle of the large palm grove</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1588777727281-VLED0HWXPNCQE5X1VLSS/6b0c8055-72e5-433a-acfd-eee73a39915e%2B%25281%2529.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 19 /</image:title>
      <image:caption>One thousand and one black and white nights amid the siege</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1588777779967-SQ5U1IE5NLZXZQ74UFH5/2fd7117a-cfe7-424a-b79f-6347e8e800b8.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 20 /</image:title>
      <image:caption>Shahrazad and Shahryar at the hospital after the siege of corona, Everything is crazy and the whole world is crazy</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1588777816102-SV1T60ABF7DZDA6WTYSF/c8b3b409-6701-4282-8764-d47678f45edf.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 21 /</image:title>
      <image:caption>Faces watching Shahryar and Shahrazad in the middle of the city wall, and there is no saviour!</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1589460184374-J5Q18K0Y6TBJRFGL22D1/9c3c32d5-85d7-4e74-ad83-a4fb644ec4d8.JPG</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 22 /</image:title>
      <image:caption>Shahrazad telling another story to Shahryar in the middle of the big house in central Baghdad</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1589390689668-XTW372FHI5Y23DUMX1ED/image+%2816%29.png</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 23 /</image:title>
      <image:caption>Shahrazad is alone in the house and around her there is the chaos and madness of the city</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1589390969401-JSEFO8PJGIAOVZI66XE1/image%2B%252817%2529.jpg</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 24 /</image:title>
      <image:caption>Empty people are waiting for tomorrow, for hope or a future</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1589390729033-0TZLX3J8OAZA8CVF5ZXI/image+%2818%29.png</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 25 /</image:title>
      <image:caption>There are no tales and the language of words and eyes has stopped, they are waiting for a better tomorrow, but without words</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1589390738993-U15ITMM3WV5B4ZQPV7XD/image+%2819%29.png</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 26 /</image:title>
      <image:caption>Astonishment at what is happening around me in the city. Every day now is a thousand nights and nights</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1589390758934-OQLYO24PSNK64KDGIW90/image+%2820%29.png</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 27 /</image:title>
      <image:caption>A ray of hope, a light at the end of the dark tunnel</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1589390774017-8N2TI2LFGUB5ILTV107F/image+%2821%29.png</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 28 /</image:title>
      <image:caption>Quarantine walls</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1589390833310-4N36RMXF7HUWXC4YCHN0/image+%2822%29.png</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 29 /</image:title>
      <image:caption>Everything is upside down</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1589390852664-X6LPOE1XETQ8T7M06D1R/image+%2823%29.png</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 30 /</image:title>
      <image:caption>The scrambling of the world</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1589390879544-0PBEKPI4X1SSHO6DFUK6/image+%2825%29.png</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 32 /</image:title>
      <image:caption>Sharazad is narrating another story to Shahryar among the Palms</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1589390866842-Q41KUPH3HEA7PEOFMXA9/image+%2824%29.png</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights - 31 /</image:title>
      <image:caption>Shahrazad behind the walls</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1587983247109-5RDPDTFYWTIA4WIDT3M0/Screenshot+2020-04-27+10.36.02.png</image:loc>
      <image:title>#3 Homefront - 'One Thousand and One Nights:' Salam Atta Sabri's Arabian Nights</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.ruyamaps.org/3-homefront/2020/4/9/homebody-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1586448973792-UUD8KDYVB0O0EVLDOH1M/Audun+Alvestad%2C+Between+the+Bed+and+the+Rest%2C+Saatchi.jpg</image:loc>
      <image:title>#3 Homefront - Homebody: Contemporary Figurative Art and Domestic Settings</image:title>
      <image:caption>Audun Alvestad, ‘Between the Bed and the Rest’, (c.2018) ‘Between the Bed and the Rest’ could show the exhausted collapse of someone having returned to the comfort of their home, or it could equally show someone overcome by lethargy, unable to move off of their bed. The background’s vortex of lines lends itself to the latter’s sense of entrapment. The artist, Audun Alvestad, regularly paints characters who he describes as “average Joe” types. His subject’s inertia is both relatable, and at odds with the dynamism of the graphic interior design. https://kristinhjellegjerde.com/artists/158-audun-alvestad/overview/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1586450105595-LO03T7Q4N8IZZY7OZE1V/Aliza+Nisenbaum%2C+Studio+International.jpg</image:loc>
      <image:title>#3 Homefront - Homebody: Contemporary Figurative Art and Domestic Settings</image:title>
      <image:caption>Aliza Nisenbaum, Las Talaveritas, (2015) Aliza Nisenbaum is used to painting scenes of waiting - her subjects are undocumented Latin American immigrants within the US. The observational skills of portrait painting allow her to “mark those who are socially unmarked in society.” The three women gathered on a living room sofa in ‘Las Talaveritas’ are typical of Nizenbaum’s focus on migration, but as with the rest of her work refuse to be defined by contemporary politics - instead we are presented with a family scene full of both resolve and disenchantment. https://www.antonkerngallery.com/artists/aliza_nisenbaum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1586448828143-AOO5MH20XRL37LQFP51N/Screenshot%2B2020-04-06%2B11.50.06.jpg</image:loc>
      <image:title>#3 Homefront - Homebody: Contemporary Figurative Art and Domestic Settings</image:title>
      <image:caption>Elif Uras, ‘Monkey,’ (2017) Presenting wage, domestic and reproductive labour, Turkish artist Elif Uras’ work focuses on capital in the lives of women. With a practice that spans both paintings and ceramics, it is Uras’ ceramic vessels and plates that most closely align themselves with the interior domestic. Their painted surfaces are a modern parallel to the scenes of domestic activity that decorated ancient Greek pottery from the mid-fifth century BC, reflecting the uses to which those vases were put. In ‘Monkey’, a woman attempts to work out on an exercise bike whilst the child on her back obstructs her vision. It speaks to the demands on women’s time as they are forced to take on multiple roles, and within this new context of lockdown to the difficulties of maintaining personal space for caregivers who are now confined to their homes. http://www.elifuras.com/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1587573534837-WPFT24RISWN5JE7OWL09/Screenshot%2B2020-04-22%2B17.30.35.jpg</image:loc>
      <image:title>#3 Homefront - Homebody: Contemporary Figurative Art and Domestic Settings</image:title>
      <image:caption>Njideka Akunyili Crosby, ‘Mother and Child,’ (2016) Akunyili Crosby's art often freezes moments of the domestic experience, presenting highly composed scenes in which figures eat together or watch TV. However these familiar scenarios are quietly undercut by ambiguous gestures. Here the figure, presumably the titular ‘Mother’, turns away from us, her gaze directed beyond the living room (with its family portrait) to the doorway. Hinting at escape, the bright yellow door correlates with the yellow sofa the figure sits upon, bringing her closer to the doors that are half-open, half-closed. https://www.victoria-miro.com/artists/185-njideka-akunyili-crosby/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1586449247764-8I30MK7PEHN4J3TIJ5TG/Sarah+Jones%2C+Sitting+Room%2C+TATE.jpg</image:loc>
      <image:title>#3 Homefront - Homebody: Contemporary Figurative Art and Domestic Settings</image:title>
      <image:caption>Sarah Jones, ‘The Sitting Room, (Francis Place), III’, (1997) ‘The Sitting Room (Francis Place) III’ is part of a project that Sarah Jones undertook with three teenage girls, all friends that the artist knew well. The photographs situate the girls within the communal living spaces of their own family homes. The affluent comfort of the setting is undercut by the air of constraint that the girls’ body language suggests. https://www.maureenpaley.com/artists/sarah-jones</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1586449366352-KSTWBU56L4RJQXMRJNY3/alejandra+Hernandez%2C+Lizard+Queen%2C+Galerie+Lavernoica.jpg</image:loc>
      <image:title>#3 Homefront - Homebody: Contemporary Figurative Art and Domestic Settings</image:title>
      <image:caption>Alejandra Hernández, ‘Lizard Queen’, (2016) Illustrating moments of daydreaming or waiting, Colombian artist Alejandra Hernández brings together the ‘inner-spiritual’ and the ‘outer-physical’ worlds of her subjects.This painting is from her ‘Female ecosystems’ series which features women, individually or in groups, within intensely personal worlds. Viewed within her bathroom, ‘Lizard Queen’ is poised at a moment of reinvention with recently cut hair on her shoulders and the floor. http://www.alejandrahernandez.com/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1586448910895-DC5S50F06OERWS50P5O3/Alec+Soth%2C+Nancy%2C+Guardian.jpg</image:loc>
      <image:title>#3 Homefront - Homebody: Contemporary Figurative Art and Domestic Settings</image:title>
      <image:caption>Alec Soth, ‘Nancy,’ (2017) The portraits in Alec Soth’s ‘I Know How Furiously Your Heart Is Beating’ mark a turn in the photographer’s work from sweeping “grand narrative” projects to the intimacy of people in their homes. In ‘Nancy’ the isolation experienced by his subject within her home is implicit, the soft focused lens suggesting the blurring of time as Nancy waits. Soth does not simply present Nancy as a generic isolated, older woman, however, where the camera is at its sharpest reveals a cat’s ears poking out from behind its owner’s patterned pajamas - a relationship deepened by joint confinement within the home. https://alecsoth.com/photography/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1586449049078-JQNPGP9WR94JMQ2640NG/Kia+La+Beija%2C+In+My+Room%2C+ArtForum.jpg</image:loc>
      <image:title>#3 Homefront - Homebody: Contemporary Figurative Art and Domestic Settings</image:title>
      <image:caption>Kia LaBeija, ‘In My Room’, (2014) Kia LaBeija understands how daily life can be upended by illness. Her photographic series ‘24’ focuses on the issues she faced growing up with HIV, having lost her mother to an AIDS-related illness at 14. This is the first image in that series and sees the artist in her childhood bedroom. The details in the image contribute to LaBeija’s confirmation of her own identity at a time when she was subject to the trauma and stigma of her HIV positive status. https://visualaids.org/artists/kia-labeija</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1586449168322-3BPTTRNUNSMSFS0WN4O2/Dayanita+Singh%2C+Ladies+of+Calcutaa%2C+El+Pais.jpg</image:loc>
      <image:title>#3 Homefront - Homebody: Contemporary Figurative Art and Domestic Settings</image:title>
      <image:caption>Dayanita Singh, ‘The Ladies of Calcutta, (2008) In response to the ethical dilemnas of her early career as a photojournalist, Dayanita Singh offered her sitters the option to take their portraits home with them. The majority of the friends and family depicted in the series ‘The Ladies of Calcutta’ chose to do so. Those images remain on the walls of Singh’s subjects, in homes around Calcutta that they will have returned to during India’s extensive lockdown. http://dayanitasingh.net/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1586449455268-GG0TYV1D22KPU5RYMMD8/Screenshot+2020-03-25+13.29.18.png</image:loc>
      <image:title>#3 Homefront - Homebody: Contemporary Figurative Art and Domestic Settings</image:title>
      <image:caption>Jordan Casteel, ‘Ato’, (2014) Having described herself as ‘hyper-aware’ of her surroundings, Jordan Casteel’s figurative paintings betray an equal interest in the setting as well as the sitter. Casteel creates large-scale portraits of black males who are known to her from the communities where she has lived. This vibrant portrait of ‘Ato’ appears to blend an intimate vulnerability with a subtle unease. It differs from the majority of Casteel’s portraits which tend to feature male friendship, showing her subjects in pairs or small groups on living room furniture. http://www.jordancasteel.com/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1586448508087-602PTOTBE3RCMEFVJ4CC/Screenshot+2020-03-25+15.57.16.png</image:loc>
      <image:title>#3 Homefront - Homebody: Contemporary Figurative Art and Domestic Settings</image:title>
      <image:caption>Kerry James Marshall, ‘Untitled (Upside Down Man)’, (2016) Kerry James Marshall is a painter who is interested in the legacy of over six centuries of representational painting. Reinventing its various styles, Marshall pays particular attention to issues of composition. With the changing season displayed outside the room’s windows, Marshall’s perfectly suspended upside down man captures a moment of stasis and self-occupation. www.davidzwirner.com/artists/kerry-james-marshall</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1587575427756-O3Z30T1H0TO3TYOXYCWX/Gap+Year.jpg</image:loc>
      <image:title>#3 Homefront - Homebody: Contemporary Figurative Art and Domestic Settings</image:title>
      <image:caption>Toyin Ojih Odutola, ‘Gap Year,’ (2017) Ojih Odutola’s paintings often pinpoint the casual repose of their subjects as they lean against a wall, study a book or look out the window with a cup of coffee. ‘Gap Year’ departs from this nonchalance as the hunched posture of the pajama clad figure suggests the throes of an existential crisis. The figure cannot see the turning tide in the background, trapped as they are on the veranda furniture between the inside and the outside of their home. Rather than the expanse of time and space that a ‘gap year’ implies, the narrowness of the figure’s life is made clear from the skewed angle of the composition. https://www.jackshainman.com/artists/toyin-odutola/</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ruyamaps.org/3-homefront/2020/4/9/the-corona-days-iranian-artist-afsoon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1586445066305-VSSA9BHPQKOZMLHYLA9Y/corona+17th.jpg</image:loc>
      <image:title>#3 Homefront - 'The Corona Days:' Afsoon's Artist Diary</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1586444446280-CQ0IGBXM3X98O7LLEG7A/corona+16th.jpg</image:loc>
      <image:title>#3 Homefront - 'The Corona Days:' Afsoon's Artist Diary</image:title>
      <image:caption>Afsoon’s diary for March 16th.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1586967589774-CH4KXXOZM401UFEA2BOF/Afsoonhi+res.jpg</image:loc>
      <image:title>#3 Homefront - 'The Corona Days:' Afsoon's Artist Diary</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1586444802194-EBH8RA89EMC14NPR17NE/corona+18.jpg</image:loc>
      <image:title>#3 Homefront - 'The Corona Days:' Afsoon's Artist Diary</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1586445192602-OJ1N5H9JGPUSZVX05VH2/corona+20.jpg</image:loc>
      <image:title>#3 Homefront - 'The Corona Days:' Afsoon's Artist Diary</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1586445142177-1WNCQQYNU35XNWJSGPPG/corona+23.jpg</image:loc>
      <image:title>#3 Homefront - 'The Corona Days:' Afsoon's Artist Diary</image:title>
    </image:image>
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  </url>
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  <url>
    <loc>https://www.ruyamaps.org/spirit</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-25</lastmod>
  </url>
  <url>
    <loc>https://www.ruyamaps.org/spirit/2021/1/20/qanda-with-iliodora-margellos-l3l5k</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1612352364103-49AV9KELX6WQV7PF4FU9/Iliodora+Margellos+Shot+01+002+copy+%281%29.png</image:loc>
      <image:title>Spirit - Q&amp;amp;A with Iliodora Margellos</image:title>
      <image:caption>Portrait of Iliodora Margellos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1612354933527-YWSBC0QGBAIYFXUSYKFQ/louise+Bourgeois%2C+salon%2C+painting.jpg</image:loc>
      <image:title>Spirit - Q&amp;amp;A with Iliodora Margellos</image:title>
      <image:caption>Louise Bourgeois at Her Salon (2008), Keith Mayerson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ruyamaps.org/spirit/2021/2/10/microcommission-iliodora-margellos-7yewa-9t28w</loc>
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    <lastmod>2022-01-25</lastmod>
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      <image:title>Spirit - Microcommission: ‘Moirai’ by Iliodora Margellos (Copy) (Copy)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1613407587247-Y7YCLLV12UIUPQ2RJXGH/Iliodora+Margellos+Shot+01+002+copy-p1eu93lruqgc611f5rphhqc1nbp.jpg</image:loc>
      <image:title>Spirit - Microcommission: ‘Moirai’ by Iliodora Margellos (Copy) (Copy)</image:title>
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    <image:image>
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      <image:title>Spirit - Microcommission: ‘Moirai’ by Iliodora Margellos (Copy) (Copy)</image:title>
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    <image:image>
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      <image:title>Spirit - Microcommission: ‘Moirai’ by Iliodora Margellos (Copy) (Copy)</image:title>
      <image:caption>Detail of Moirai, image courtesy of the artist</image:caption>
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  </url>
  <url>
    <loc>https://www.ruyamaps.org/spirit/2021/2/10/microcommission-iliodora-margellos-7yewa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-25</lastmod>
    <image:image>
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      <image:title>Spirit - Microcommission: ‘Moirai’ by Iliodora Margellos (Copy)</image:title>
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    <image:image>
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      <image:title>Spirit - Microcommission: ‘Moirai’ by Iliodora Margellos (Copy)</image:title>
      <image:caption>Detail of Moirai, image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1613407809365-7NUEFRMGCLTKZKCAYQ21/image+1.png</image:loc>
      <image:title>Spirit - Microcommission: ‘Moirai’ by Iliodora Margellos (Copy)</image:title>
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    <image:image>
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      <image:title>Spirit - Microcommission: ‘Moirai’ by Iliodora Margellos (Copy)</image:title>
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  </url>
  <url>
    <loc>https://www.ruyamaps.org/spirit/2021/2/10/microcommission-alkmini-gkousiari-b65tp-nrdmr</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-25</lastmod>
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      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1612980157752-4Z6HALHTK2VHW74WYY3A/2.jpg</image:loc>
      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1612980196840-MB74NNXC07T7R8AVQKVP/3.jpg</image:loc>
      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari</image:title>
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    <image:image>
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      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1612980304686-Q556OZFN2H1PIAQZV882/5.jpg</image:loc>
      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1612980427386-ENA2RVSXH4LQM27AEERO/6.jpg</image:loc>
      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1612980432332-N0ZES9YJNI17TN204DKU/7.jpg</image:loc>
      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1612980470433-ZZK82MHF2A5GX3CNGLUB/8.jpg</image:loc>
      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1612980601705-B8MSPIXKAPDFZB6HZZY1/9.jpg</image:loc>
      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1612980624023-2AP8FN6DV9ZY3NJM5AVB/10+%281%29.jpg</image:loc>
      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1612980634224-U9VL2BKOYOOQSPGCSREE/11.jpg</image:loc>
      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1612980682458-DTB6MHKQ7KKCA8RCC5BS/12.jpg</image:loc>
      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1612980734139-8XXHOHQ6U0AEZ6IO25NO/13+%281%29.jpg</image:loc>
      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari</image:title>
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    <image:image>
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      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1612981164591-23KRCRZ3PJKQ4CFLT0TP/15.jpg</image:loc>
      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari</image:title>
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    <image:image>
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      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari</image:title>
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      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari</image:title>
      <image:caption>Detail of the artist’s performance.</image:caption>
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      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari</image:title>
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    <lastmod>2022-01-25</lastmod>
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      <image:title>Spirit - Microcommission: 'Carte Postale' by Melina Fakitsa Mosland (Copy)</image:title>
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    <image:image>
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      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari (Copy)</image:title>
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      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari (Copy)</image:title>
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    <image:image>
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      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari (Copy)</image:title>
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      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari (Copy)</image:title>
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      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari (Copy)</image:title>
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    <image:image>
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      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari (Copy)</image:title>
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    <image:image>
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    <image:image>
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      <image:title>Spirit - Microcommission: ‘Cheimadia’ by Alkmini Gkousiari (Copy)</image:title>
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    <loc>https://www.ruyamaps.org/spirit/worldrefugeeday</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-19</lastmod>
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      <image:title>Spirit - 'A Change Is Gonna Come II': Marking Refugee Day - Make it stand out</image:title>
      <image:caption>Still from A Change Is Gonna Come II</image:caption>
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      <image:title>Spirit - 'A Change Is Gonna Come II': Marking Refugee Day - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.ruyamaps.org/spirit/2021/3/25/celebrating-womens-history-month</loc>
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      <image:caption>Louise Bourgeois at Her Salon (2008), Keith Mayerson</image:caption>
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      <image:title>Spirit - Q&amp;amp;A with Iliodora Margellos</image:title>
      <image:caption>Portrait of Iliodora Margellos</image:caption>
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  <url>
    <loc>https://www.ruyamaps.org/spirit/2021/1/20/qanda-with-melina-mosland</loc>
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      <image:title>Spirit - Q&amp;amp;A with Melina Fakitsa Mosland</image:title>
      <image:caption>David Altmejd, Spirit Transfer, 2019. Image: David Kordansky Gallery</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1611766871195-LDUW5XC9E8QJWAHNO8HF/Melina+Fakitsa+Mosland%2C+photo.jpg</image:loc>
      <image:title>Spirit - Q&amp;amp;A with Melina Fakitsa Mosland</image:title>
      <image:caption>Portrait of Melina Fakitsa Mosland</image:caption>
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  <url>
    <loc>https://www.ruyamaps.org/spirit/2021/1/20/qanda-with-alkmini-gkousiari</loc>
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      <image:title>Spirit - Q&amp;amp;A with Alkmini Gkousiari</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1611598070056-RDB78JQ6W3TKHA9ZGFV4/Screen+Shot+2017-10-31+at+19.06.21.jpg</image:loc>
      <image:title>Spirit - Q&amp;amp;A with Alkmini Gkousiari</image:title>
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  <url>
    <loc>https://www.ruyamaps.org/spirit/2020/11/2/what-does-athens-mean-to-you</loc>
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    <priority>0.5</priority>
    <lastmod>2021-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1610541142443-W2B16SR8XOOBS5JM5S1U/Melina%2BFakitsa%2BMosland%252C%2Bb.jpg</image:loc>
      <image:title>Spirit - ‘‘What does Athens mean to you?’’ Announcing our 'Spirit' Finalists</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1610540924681-QSI5HT9296PSAGM3NE6O/Iliodora+Margellos%2C+c.png</image:loc>
      <image:title>Spirit - ‘‘What does Athens mean to you?’’ Announcing our 'Spirit' Finalists</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1610534672142-JR65EX7TBX79LGYTZRBP/image+1+%281%29.png</image:loc>
      <image:title>Spirit - ‘‘What does Athens mean to you?’’ Announcing our 'Spirit' Finalists - Alkmini Gkousiari</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1610540005549-Z7IYJCGPW786TQNRS5CQ/Alkmini%2BGkousiari%252C%2Bb.jpg</image:loc>
      <image:title>Spirit - ‘‘What does Athens mean to you?’’ Announcing our 'Spirit' Finalists</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1610539935497-14M0TNOT1CR2QC55IPPA/Alkmini%2BGkousiari%252C%2Ba.jpg</image:loc>
      <image:title>Spirit - ‘‘What does Athens mean to you?’’ Announcing our 'Spirit' Finalists</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1610541013074-1PRDAU7EUAP2VT0R07TL/Thesalloniki%2BIFF.jpg</image:loc>
      <image:title>Spirit - ‘‘What does Athens mean to you?’’ Announcing our 'Spirit' Finalists - Iliodora Margellos</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1610535389757-DGBK4I0DE2A66B3ZLN6N/Degree+Show%2C+ASFA.png</image:loc>
      <image:title>Spirit - ‘‘What does Athens mean to you?’’ Announcing our 'Spirit' Finalists - Melina Fakitsa Mosland</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1610540140529-DPFSS5SLCS4TIH6AXJ1Z/Iliodora+Margellos%2C+a.png</image:loc>
      <image:title>Spirit - ‘‘What does Athens mean to you?’’ Announcing our 'Spirit' Finalists</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1610541241826-LD888IP9YQ4IOGGKI7L8/Melina%252BFakitsa%252BMosland%25252C%252Ba.jpg</image:loc>
      <image:title>Spirit - ‘‘What does Athens mean to you?’’ Announcing our 'Spirit' Finalists</image:title>
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  </url>
  <url>
    <loc>https://www.ruyamaps.org/spirit/2020/11/2/runnersup-for-our-athens-artists-open-call</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1607948782215-XB2TS1O8MVVTTBEGDMOX/Jenny+Saridi%2C+Medussa.png</image:loc>
      <image:title>Spirit - Announcing the Runners Up for our Athens Artists Open Call - Jenny Saridi</image:title>
      <image:caption>Medusa, 2020, Collage, Acrylics, Inks and Markers on Paper, 43 x 53 cm Graphic designer and visual artist Jenny Saridi primarily draws from memory what she desires or fears, driven by her dreams and nightmares and the disturbing elements or sexual insinuations they accommodate. She often uses symbols, underlying meanings related to Greek mythology and cultural stereotypes. @saridi_jenny</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1607961737325-1ZUZFGS40GVWU7NUTH30/Urban+Songs.jpg</image:loc>
      <image:title>Spirit - Announcing the Runners Up for our Athens Artists Open Call - Ermina Apostolaki</image:title>
      <image:caption>Urban Songs, sound game performance Ermina Apostolaki is a spatial designer, born and raised in Athens. ‘Urban Songs’ is a sound game that resulted from research on Cretan folk music - a genre that was developed and performed in Cretan urban centres such as Chania and Herakleion. and was performed in the Chania's municipality garden. A response to the influence of other cultures on Cretan music, Apostolaki explains that the project looks ‘‘for traces that discography did not preserve, we focus on how the changing social structure of Chania influenced this music scene.’’ @ermina_apostolaki</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1607960432432-3OPQTEZ5WKJVP91JR7V3/Phrasis_TzeniArgyriou_2_photo-credit_Tzeni-Argyriou.jpg.jpg</image:loc>
      <image:title>Spirit - Announcing the Runners Up for our Athens Artists Open Call - Tzeni Argyriou</image:title>
      <image:caption>Phrasis to Build, 2020-Ongoing, performance Tzeni Argyriou is an independent choreographer and media artist. ‘Phrasis to Build’ is a solo piece inspired by sculptures and paintings with strong use of gestures from the ancient times up to the contemporary art scene. These gestures were decoded and interpreted as a speaking language. The work is part of PHRASIS, a broader project conceived and curated by Argyriou that consists of fragments (phrases) that are interconnected as autonomous parts of a whole project. Two of these fragments were part of the program "All of Greece, one Culture" initiated by the Greek Ministry of Culture &amp; Sports, as an official selection of the National Museum of Contemporary Art Athens (ΕMST). @tzeniargyriou</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1607005239077-IAWXO6I1VLNFZIYPV85V/Louiza%2C+Radio+SIlence.png</image:loc>
      <image:title>Spirit - Announcing the Runners Up for our Athens Artists Open Call - Louiza Ntourou</image:title>
      <image:caption>Radio Silence, 2019, 3 min, b&amp;w /16 mm Radio Silence is a film about the imaginary communication of a daughter with her father through the radio. In it artist-filmmaker Louiza Ntourou explores the complexity of human relationships commenting on the paradoxical ways of experiencing the presence and/or absence of the other. The film was commissioned by the BBC New Creatives in 2019 and presented at the ICA, London, in 2020. It will be shown at the London Short Film Festival, 2021. https://louizantourou.com/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1607004539401-M22BR6ZQEU2ZVSVEHQ8F/Cora%2C+New+Forms+of+Agency%2C+b.png</image:loc>
      <image:title>Spirit - Announcing the Runners Up for our Athens Artists Open Call - Cora Marin</image:title>
      <image:caption>II. Did YOU protest? and III. You didn’t protest, 2020, series of analogue collages and mixed media on watercolor paper, 27.2 x 38.5 cm Cora Marin’s series ‘New Forms of Agency’ is inspired by the sharp story-telling of ancient Islamic miniature paintings and illuminated manuscripts, According to Marin, the collages illustrate ‘‘the ‘tale’ of how mankind begun to perceive of itself as different from nature, and all the repercussions (and new forms of agency) that came with it.’’ She lives between Berlin, Barcelona and Athens. @AND.CORA.SAID</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1607948273259-FABJLQR7OFZS9ER1XH1V/TolisTatolas_SP+Urbanogram+2019.jpg</image:loc>
      <image:title>Spirit - Announcing the Runners Up for our Athens Artists Open Call - Tolis Tatolas</image:title>
      <image:caption>SP Urbanogram, 2019, Site specific installation created at the Residência Artística FAAP in São Paulo, 5 x 10 x 3 m Tolis Tatolas is a visual artist and spatial designer who also experiments with sound and the human voice, In this installation produced at the end of a residency, he records the brain process of gathering data through observation in a megacity. Reflecting his interests in intertemporal urban dystopias, the piece abstractly represents problems that result from huge urbanization. @tolis_tatolas</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1607005119450-ZKCE9L5XET6VTW7Y2K8Z/Alkistis%252C%2BVernal.jpg</image:loc>
      <image:title>Spirit - Announcing the Runners Up for our Athens Artists Open Call - Alkistis Mavrokefalou</image:title>
      <image:caption>Vernal, 2019, flowers, wire, latex, silicone resin, dry colour pigments / 47 x 30 x 30 cm. Alkistis Mavrokefalou was born in Athens, where she continues to live and work. She says that her work is ‘‘based around the duality of frailty and durability observed in organic shreds found in nature (such as flower petals, exoskeletons, etc) and the elliptical, illusory presence of them and their surroundings.’’ photo: Th. Galanopoulou @alkistis_mavrokefalou</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b290b3c75f9ee819dc83d42/1607005334264-XOSR86D9YDMEE1XCTNCM/Anastasia%2C+Metaxourgio.png</image:loc>
      <image:title>Spirit - Announcing the Runners Up for our Athens Artists Open Call - Anastasia Pavlou</image:title>
      <image:caption>Metaxourgio, 2019, Oil paint, gesso, poster print paper, 80 x 160 cm Anastasia Pavlou is an emerging artist from and currently based in Athens. Notably, Anastasia was the youngest artist to be selected for the New Museum x DESTE show at The Benaki Museum last summer. Her works often incorporate collage, a composition strategy that lets her ‘‘create works that bear witness to a world entangled.’’ As a result, her work ‘‘can be deeply personal and emotional, diaristic and fragmented.’’ @pavlouva</image:caption>
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  <url>
    <loc>https://www.ruyamaps.org/spirit/2020/11/2/ruya-maps-recommends-greek-artists</loc>
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      <image:title>Spirit - RUYA MAPS Highlights: Contemporary Greek Artists</image:title>
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      <image:title>Spirit - RUYA MAPS Highlights: Contemporary Greek Artists</image:title>
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      <image:title>Spirit - RUYA MAPS Highlights: Contemporary Greek Artists</image:title>
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      <image:title>Spirit - RUYA MAPS Highlights: Contemporary Greek Artists</image:title>
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      <image:title>Spirit - RUYA MAPS Highlights: Contemporary Greek Artists</image:title>
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      <image:title>Spirit - RUYA MAPS Highlights: Contemporary Greek Artists</image:title>
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      <image:title>Spirit - RUYA MAPS Highlights: Contemporary Greek Artists</image:title>
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      <image:title>Spirit - RUYA MAPS Highlights: Contemporary Greek Artists</image:title>
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      <image:title>Spirit - RUYA MAPS Highlights: Contemporary Greek Artists</image:title>
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      <image:title>Spirit - RUYA MAPS Highlights: Contemporary Greek Artists</image:title>
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      <image:title>Spirit - RUYA MAPS Highlights: Contemporary Greek Artists</image:title>
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      <image:title>Spirit - RUYA MAPS Highlights: Contemporary Greek Artists</image:title>
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      <image:caption>The Fitzrovia Chapel, London 14 October – 26 October 2018 RUYA MAPS’ inaugural project will be an exhibition of work by Venezuelan artist Pepe López (b.1966).</image:caption>
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